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Ramayana


The Ramayana   is an ancient Sanskrit epic. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu canon (smṛti), considered to be itihāsa. The Ramayana is one of the two great epics of India, the other being the Mahabharata.  It depicts the duties of relationships, portraying ideal characters like the ideal father, ideal servant, the ideal brother, the ideal wife and the ideal king.The name Ramayanais a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),  and tells the story of Rama (an avatar of the Hindu preserver-God Vishnu), whose wife Sita is abducted by the king of Sri LankaRavana. Thematically, the Ramayana explores human values and the concept of dharma. 
Verses in the Ramayana are written in a 32-syllable meter called anustubh. The Ramayana was an important influence on later Sanskrit poetry and Indian life and culture. Like the Mahābhārata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters RamaSitaLakshmanaBharataHanuman and Ravana are all fundamental to the cultural consciousness of IndiaNepal, and many South-East Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Ramavataram in TamilBuddhist (Dasaratha Jataka No. 461) and Jain adaptations, and also Cambodian,IndonesianPhilippineThaiLaoBurmese and Malay versions of the tale

Textual history and structure



Traditionally, the Ramayana is attributed to Valmiki, regarded as India's first poet.  The Indian tradition is unanimous in its agreement that the poem is the work of a single poet, the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.  The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century B.C.  While it is often viewed as a primarily devotional text, theVaishnava elements appear to be later accretions possibly dating to the 2nd century BC or later.  The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text. 
According to Indian tradition, and according to the Ramayana itself, the Ramayana belongs to the genre of itihāsa, like the Mahabharata. The definition of itihāsa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.  According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga. 
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which appears to date from the 11th century A.D. The text has several regional renderings,  recensions and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (N) and the southern (S).  Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind." 
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Some still believe they are integral parts of the book in spite of some style differences and narrative contradictions between these two chapters and the rest of the book. 
Famous retellings include the Ramayanam of Kamban in Tamil (ca. 11th–12th century), the Saptakanda Ramayana of Madhava Kandali in Assamese (ca. 14th century), Shri Rama Panchali orKrittivasi Ramayan by Krittibas Ojha in Bengali (ca. 15th Century), and Ramacharitamanas by Tulasidas in Awadhi which is an eastern form of Hindi (c. 16th century).  Adyatma Ramayanam Kilippattu By Thunjethu Ezhuthachan in (Malayalam language).

Period

Some cultural evidence (the presence of sati in the Mahabharata but not in the main body of the Ramayana) suggests that the Ramayana predates the Mahabharata. However, the general cultural background of the Ramayana is one of the post-urbanization period of the eastern part of North India, while the Mahabharata reflects the Kuru areas west of this, from the Rigvedic to the late Vedic period. 
By tradition, the text belongs to the Treta Yuga, second of the four eons (yuga) of Hindu chronology. Rama is said to have been born in the Treta Yuga to King Daśaratha in the Ikshvaku vamsa (clan). 
 
The names of the characters (Rama, Sita, Dasharatha, Janaka, Vasishta, Vishwamitra) are all known in late Vedic literature, older than the Valmiki Ramayana.  However, nowhere in the surviving Vedic poetry is there a story similar to the Ramayana of Valmiki. 
According to the modern academic view, Vishnu, who according to Bala Kanda was incarnated as Rama, first came into prominence with the epics themselves and further during the 'Puranic' period of the later 1st millennium CE. There is also a version of Ramayana, known as Ramopakhyana, found in the epicMahabharata. This version is depicted as a narration to Yudhishtira. 
There is general consensus that books two to six form the oldest portion of the epic while the first book Bala Kanda and the last the Uttara Kanda are later additions.  The author or authors ofBala Kanda and Ayodhya Kanda appear to be familiar with the eastern Gangetic basin region of northern India and the Kosala and Magadha region during the period of the sixteen janapadas as the geographical and geopolitical data is in keeping with what is known about the region. However, when the story moves to the Aranya Kanda and beyond, it seems to turn abruptly into fantasy with its demon-slaying hero and fantastic creatures. The geography of central and South India is increasingly vaguely described. The knowledge of the location of the island of Lanka also lacks detail.  Basing his assumption on these features, the historian H.D. Sankalia has proposed a date of the 4th century BC for the composition of the text.  A. L. Basham, however, is of the opinion that Rama may have been a minor chief who lived in the 8th or the 7th century BC. 
The 7 Kandas or Books
The Epic is traditionally divided into several major kāṇḍas or books, that deal chronologically with the major events in the life of Rama—Bāla Kāṇḍa, Ayodhya Kāṇḍa, Araṇya KāṇḍaKishkindha KāṇḍaSundara KāṇḍaYuddha Kāṇḍa, and Uttara Kāṇḍa. 
The division into 7 kāṇḍas, or books, is as follows:
Kanda/BookTitleContents
1Bāla Kāṇḍa (book of childhood)The origins and childhood of Rama, born to King Dasharatha of Ayodhya and destined to fight demons. Sita's swayamvara and subsequent wedding to Rama. 
2Ayodhya Kāṇḍa (book of Ayodhya)The preparations for Rama's coronation in the city of Ayodhya, his exile into the forest, and the regency of Bharata.  
3Araṇya Kāṇḍa (book of the forest)The forest life of Rama with Sita and Lakshmana, his constant companion. The kidnapping of Sita by the demon king Ravana. 
4Kishkindha Kāṇḍa (book of the monkey kingdom)Rama meets Hanuman and helps destroy the monkey people's king, Vali, making Vali's younger brother, Sugriva, king of Kishkindhainstead. 
5Sundara Kāṇḍa (book of beauty)Detailed accounts of Hanuman's adventures, including his meeting with Sita. Traditionally read first when reading the Ramayana, this book's name derives from the fond name given Hanuman by his mother. 
6Yuddha Kāṇḍa (book of war) also known as Lanka KandaThe battle in Lanka between the monkey and the demon armies of Rama and Ravana, respectively. After Ravana is defeated, Sita undergoes the test of fire, completes exile with Rama, and they return to Ayodhya to reign over the Ideal State. 
7Uttara Kāṇḍa (last book)Rumors of impurity lead to Sita's banishment, during which she gives birth to and raises Lava and Kusha. Rama and Sita reconcile. The twin boys later ascend the throne of Ayodhya, after which Rama departs from the world. 
Characters
  • Rama is one of the protagonists of the tale. Portrayed as the seventh avatar of the God Vishnu, he is the eldest and favorite son of the King of Ayodhya, Dasharatha, and his Queen Kausalya. He is portrayed as the epitome of virtue. Dasharatha is forced by Kaikeyi, one of his wives, to command Rama to relinquish his right to the throne for fourteen years and go into exile.

  • Sita
     is one of the protagonists and the beloved wife of Rama and the daughter of king Janaka. Rama went to Janakpurdham, current city of Janakpur, Nepal, and got a chance to marry her by lifting a heavy Bow in a competition organized by King Janaka. The competition was to find the most suitable husband for Sita and many princes from different states competed to win her. Sita is the avatar of Goddess Lakshmi, the consort of Vishnu. Sita is portrayed as the epitome of female purity and virtue. She follows her husband into exile and is abducted by Ravana. She is imprisoned on the island of Lanka until Rama rescues her by defeating the demon king Ravana. Later, she gives birth to Lava and Kusha, the heirs of Rama.
  • Hanuman is the tritagonist and a vanara belonging to the kingdom of Kishkindha. He is portrayed as the eleventh avatar of God Shiva (He is also called Rudra) and an ideal bhakta of Rama. He is born as the son of Kesari, a vanara king, and the Goddess Anjana. He plays an important part in locating Sita and in the ensuing battle. He is believed to live until our modern world.
  • Lakshmana, the younger brother of Rama, who chose to go into exile with him. He is the son of King Dasaratha and Queen Sumitra, and twin of Shatrughna. Lakshmana is portrayed as an avatar of the Shesha, the nāga associated with the God Vishnu. He spends his time protecting Sita and Rama during which he fought the demoness Surpanakha. He is forced to leave Sita, who was deceived by the demon Maricha into believing that Rama was in trouble. Sita is abducted by Ravana upon him leaving her. He was married to Sita's younger sister Urmila.
  • Ravana, a rakshasa, is the king of Lanka. After performing severe penance for ten thousand years he received a boon from the creator-GodBrahma: he could henceforth not be killed by Gods, demons, or spirits. He is portrayed as a powerful demon king who disturbs the penances ofRishis. Vishnu incarnates as the human Rama to defeat him, thus circumventing the boon given by Brahma.
  • Jatayu, the son of Aruṇa and nephew of Garuda. A demi-god who has the form of a eagle that tries to rescue Sita from Ravana. Jatayu fought valiantly with Ravana, but as Jatayu was very old, Ravana soon got the better of him. As Rama and Lakshmana chanced upon the stricken and dying Jatayu in their search for Sita, he informs them the direction in which Ravana had gone.
  • Dasharatha is the king of Ayodhya and the father of Rama. He has three queens, KausalyaKaikeyi and Sumitra, and three other sons: BharataLakshmana and Shatrughna. Kaikeyi, Dasharatha's favourite queen, forces him to make his son Bharata crown prince and send Rama into exile. Dasharatha dies heartbroken after Rama goes into exile.
  • Bharata is the son of Dasharatha and Queen Kaikeyi. When he learns that his mother Kaikeyi had forced Rama into exile and caused Dasharatha to die brokenhearted, he storms out of the palace and goes in search of Rama in the forest. When Rama refuses to return from his exile to assume the throne, Bharata obtains Rama's sandals, and places them on the throne as a gesture that Rama is the true king. Bharata then rules Ayodhya as the regent of Rama for the next fourteen years. He was married to Mandavi.
  • Satrughna is the son of Dasharatha and his third wife Queen Sumitra. He is the youngest brother of Rama and also the twin brother of Lakshmana. He was married to Shrutakirti.
  • Sugriva, a vanara king who helped Rama regain Sita from Ravana. He had an agreement with Rama through which Vaali - Sugriva’s brother and king of Kishkindha-would be killed by Rama in exchange for Sugriva’s help in finding Sita. Sugriva ultimately ascends the throne of Kishkindha after the slaying of Vaali, and fulfils his promise by putting the Vanara forces at Rama’s disposal 
  • Indrajit, a son of Ravana who twice defeated Lakshmana in battle, before succumbing to him the third time. An adept of the magical arts, he coupled his supreme fighting skills with various stratagems to inflict heavy losses on the Vanara army before his death. 
  • Kumbhakarna, a brother of Ravana, famous for his eating and sleeping. He would sleep for months at a time and would be extremely ravenous upon waking up, consuming anything set before him. His monstrous size and loyalty made him an important part of Ravana’s army. During the war, he decimated the Vanara army before Rama cut off his limbs and head. 
  • Surpanakha, Ravana's demoness sister who fell in love with Rama, and had the magical power to take any form she wanted.
  • Vibhishana, a younger brother of Ravana. He was against the kidnapping of Sita, and joined the forces of Rama when Ravana refused to return her. His intricate knowledge of Lanka was vital in the war, and he was crowned king after the fall of Ravana. 
  • Synopsis

  • Bala Kanda

    Ayodhya Kanda


    After Rama and Sita have been married for twelve years, an elderly Dasharatha expresses his desire to crown Rama, to which the Kosala assembly and his subjects express their support.
      On the eve of the great event, Kaikeyi—her jealousy aroused by Manthara, a wicked maidservant—claims two boons that Dasharatha had long ago granted her. Kaikeyi demands Rama to be exiled into wilderness for fourteen years, while the succession passes to her son Bharata. The heartbroken king, constrained by his rigid devotion to his given word, accedes to Kaikeyi's demands. Rama accepts his father's reluctant decree with absolute submission and calm self-control which characterizes him throughout the story.  He is joined by Sita and Lakshmana. When he asks Sita not to follow him, she says, "the forest where you dwell is Ayodhya for me and Ayodhya without you is a veritable hell for me."  After Rama's departure, king Dasharatha, unable to bear the grief, passes away.  Meanwhile, Bharata who was on a visit to his maternal uncle, learns about the events in Ayodhya. Bharata refuses to profit from his mother's wicked scheming and visits Rama in the forest. He requests Rama to return and rule. But Rama, determined to carry out his father's orders to the letter, refuses to return before the period of exile. However, Bharata carries Rama's sandals, and keeps them on the throne, while he rules as Rama's regent. 
    Aranya Kanda
    When news of these events reaches Ravana, he resolves to destroy Rama by capturing Sita with the aid of the rakshasa Maricha. Maricha, assuming the form of a golden deer, captivates Sita's attention. Entranced by the beauty of the deer, Sita pleads with Rama to capture it. Lord Rama, aware that this is the play of the demons, is unable to dissuade Sita from her desire and chases the deer into the forest, leaving Sita under Lakshmana's guard. After some time Sita hears Rama calling out to her; afraid for his life she insists that Lakshmana rush to his aid. Lakshmana tries to assure her that Rama is invincible, and that it is best if he continues to follow Rama's orders to protect her. On the verge of hysterics Sita insists that it is not she but Rama who needs Lakshmana's help. He obeys her wish but stipulates that she is not to leave the cottage or entertain any strangers. He draws a chalk outline, the Lakshmana rekha around the cottage and casts a spell on it that prevents anyone from entering the boundary but allows people to exit. Finally with the coast clear, Ravana appears in the guise of an ascetic requesting Sita's hospitality. Unaware of the devious plan of her guest, Sita is tricked into leaving the rekha and then forcibly carried away by the evil Ravana. Rama, Sita and Lakshmana journeyed southward along the banks of river Godavari, where they built cottages and lived off the land. At the Panchavatiforest they are visited by a rakshasa woman, Surpanakha, the sister of Ravana. She attempts to seduce the brothers and, failing in this, attempts to kill Sita. Lakshmana stops her by cutting off her nose and ears. Hearing of this, her demon brother, Khara, organizes an attack against the princes. Rama annihilates Khara and his demons. 
    Jatayu, a vulture, tries to rescue Sita, but is mortally wounded. At Lanka Sita is kept under the heavy guard of rakshasis. Ravana demands Sita marry him, but Sita, eternally devoted to Rama, refuses.  Rama and Lakshmana learn about Sita's abduction from Jatayu, and immediately set out to save her.  During their search, they meet the demon Kabandha and the ascetic Shabari, who direct them towards Sugriva and Hanuman.

    Kishkindha Kanda


    The Kishkindha Kanda is set in the monkey citadel Kishkindha. Rama and Lakshmana meet Hanuman, the greatest of monkey heroes and an adherent of Sugriva, the banished pretender to the throne of Kishkindha.  Rama befriends Sugriva and helps him by killing his elder brother Vali thus regaining the kingdom of Kiskindha, in exchange for helping Rama to recover Sita.  However Sugriva soon forgets his promise and spends his time in debauchery. The clever monkey Queen Tara, second wife of Sugriva (initially wife of Vali), calmly intervenes to prevent an enraged Lakshmana from destroying the monkey citadel. She then eloquently convinces Sugriva to honor his pledge. Sugriva then sends search parties to the four corners of the earth, only to return without success from north, east and west.  The southern search party under the leadership of Angad and Hanuman learns from a vulture named Sampati that Sita was taken to Lanka. 
    The Sundara Kanda forms the heart of Valmiki's Ramayana  and consists of a detailed, vivid account of Hanuman's adventures.  After learning about Sita, Hanuman assumes a gargantuan form and makes a colossal leap across the ocean to Lanka. Here, Hanuman explores the demon's city and spies on Ravana. He locates Sita in Ashoka grove, who is wooed and threatened by Ravana and his rakshasis to marry Ravana. He reassures her, giving Rama's signet ring as a sign of good faith. He offers to carry Sita back to Rama, however she refuses, reluctant to allow herself to be touched by a male other than her husband. She says that Rama himself must come and avenge the insult of her abduction. 
    Hanuman then wreaks havoc in Lanka by destroying trees and buildings, and killing Ravana's warriors. He allows himself to be captured and produced before Ravana. He gives a bold lecture to Ravana to release Sita. He is condemned and his tail is set on fire, but he escapes his bonds and, leaping from roof to roof, sets fire to Ravana's citadel and makes the giant leap back from the island. The joyous search party returns to Kishkindha with the news. 

    Lanka Kanda



    This book describes the battle between the army of Rama, constructed with the help of Sugriv, and Ravana. Having received Hanuman's report on Sita, Rama and Lakshmana proceed with their allies towards the shore of the southern sea. There they are joined by Ravana's renegade brother Vibhishana. The monkeys named "Nal" and "Neel" construct a floating bridge (known as Rama Setu) across the ocean, and the princes and their army cross over to Lanka. A lengthy battle ensues and Rama kills Ravana. Rama then installs Vibhishana on the throne of Lanka.

    On meeting Sita, Rama asks her to undergo an "agni pariksha" (test of fire) to prove her purity, as he wanted to get rid of the rumours surrounding Sita's purity. When Sita plunges into the sacrificial fire, Agni the lord of fire raises Sita, unharmed, to the throne, attesting to her purity.  The episode of agni pariksha varies in the versions of Ramayana by Valmiki andTulsidas.  The above version is from Valmiki Ramayana. In Tulsidas's RamacharitamanasSita was under the protection of Agni so it was necessary to bring her out before reuniting with Rama. At the expiration of his term of exile, Rama returns to Ayodhya with Sita and Lakshmana, where the coronation is performed.  This is the beginning of Ram Rajya, which implies an ideal state with good morals.


    Uttara Kanda
    The Uttara Kanda is regarded to be a later addition to the original story by Valmiki.  and concerns the final years of Rama, Sita, and Rama's brothers. After being crowned king, many years passed pleasantly with Sita. However, despite theAgni Pariksha (fire ordeal) of Sita, rumours about her purity are spreading among the populace of Ayodhya.  Rama yields to public opinion and reluctantly banishes Sita to the forest, where sage Valmiki provides shelter in his ashrama (hermitage). Here she gives birth to twin boys, Lava and Kusha, who became pupils of Valmiki and are brought up in ignorance of their identity.

    Valmiki composes the Ramayana and teaches Lava and Kusha to sing it. Later, Rama holds a ceremony during Ashwamedha yagna, which the sage Valmiki, with Lava and Kusha, attends. Lava and Kusha sing the Ramayana in the presence of Rama and his vast audience. When Lava and Kusha recite about Sita's exile, Rama becomes grievous, and Valmiki produces Sita. Sita calls upon the Earth, her mother, to receive her and as the ground opens, she vanishes into it. Rama then learns that Lava and Kusha are his children. Later a messenger from the Gods appears and informs Rama that the mission of his incarnation was over. Rama returns to his celestial abode. 

     

Valmiki

Valmiki (during Lord Rama's time) is celebrated as the poet harbinger in Sanskrit literature. He is the author of the epic Ramayana, based on the attribution in the text of the epic itself.  He is revered as the Adi Kavi, which means First Poet, for he discovered the first śloka i.e. first verse, which set the base and defined the form to Sanskrit poetry.


Early life

Little is known about the exact childhood of Valmiki, but as to how he came to be known by that name, there is the following account. It involves a younger Valmiki (not known by that name, then) meeting the Sage Narada.
How he became Valmiki
One day Narada Muni[3] was passing by that way when he ran into Ratnakara, who insisted him to give everything he owns, from his clothing to the shoes he was wearing. Narada asked Ratnakara if his family was part of this sin that he was committing and he told him to go ask his family that same question. Ratnakara tied Narada to a tree to make him stay in that same spot until he was back. When Ratnakara asked his parents if they were with him on the sin that he was doing, they replied that it was his job to take care of them, and that only he was responsible for his own sins. His wife also said the same thing. Ratnakara then returned to Narad Muni and fell to his feet. He told him that he alone was responsible for the sins and asked him to help him get rid of the sins he had committed.[4] Narada told him to repeat Lord Rama's name and that would assist him. However, having committed such great sins all his life thus far, Ratnakara could not even pronounce the holy name "Rama". All he could think of and speak of was "mara" (death). So Narada insisted that he keep repeating "mara" until he could say "Rama". Then, after Narada left, Ratnakara went into a deep penance while reciting the Lord's name. Over time as he kept meditating, remaining motionless, an anthill grew around him. After a long penance, a divine light came upon him and said that he was free from all sins, and that he was to be called "Valmiki" from then (Valmiki meaning 'one who sits in an anthill' in Sanskrit). 
Writer of the Ramayana
The Rāmāyaṇa, originally written by Valmiki, consists of 24,000 ślokas  in seven cantos (some say six i.e. excluding the Uttara Ramayana) (kāṇḍas). The Ramayana tells the story of a prince, Rama of Ayodhya, whose wife Sita is abducted by the demon (Rākshasa) king of LankaRāvana. The Valmiki Ramayana is dated variously from 500 BC to 100 BC, or about co-eval with early versions of the Mahabhārata.  As with many traditional epics, it has gone through a long process of interpolations and redactions, making it impossible to date accurately.
Notwithstanding the aforesaid, it is pertinent to note that Valmiki is also quoted to be the contemporary of Rama. Rama met Valmiki during his period of exile and had interacted with him. Valmiki had Sita in his hermitage where Kusa and Lava were born to Sita. Valmiki taught Ramayana to Kusa and Lava, who later sang the divine story in Ayodhya during the Aswamedha yaga congregation, to the pleasure of the audience, whereupon, King Rama summoned them to his royal palace. Kusa and Lava sang the story of Rama there, and Rama confirmed that whatever had been sung by these two children was entirely true.
The first śloka
मां निषाद प्रतिष्ठां त्वमगमः शाश्वतीः समाः। यत्क्रौंचमिथुनादेकम् अवधीः काममोहितम्॥'
Valmiki was going to the river Ganges for his daily ablutions. A disciple by the name Bharadwaja was carrying his clothes. On the way, they came across the Tamasa Stream. Looking at the stream, Valmiki said to his disciple, "Look, how clear is this water, like the mind of a good man! I will bathe here today." When he was looking for a suitable place to step into the stream, he saw a Crane (bird) couple mating. Valmiki felt very pleased on seeing the happy birds. Suddenly, hit by an arrow; the male bird died on the spot. Filled by sorrow its mate screamed in agony and died of shock. Valmiki's heart melted at this pitiful sight. He looked around to find out who had shot the bird. He saw a hunter with a bow and arrows, nearby. Valmiki became very angry. His lips opened and he uttered the following words:
mā niṣāda pratiṣṭhāṁ tvamagamaḥ śāśvatīḥ samāḥ
yat krauñcamithunādekam avadhīḥ kāmamohitam 
You will find no rest for the long years of Eternity
For you killed a bird in love and unsuspecting 
Emerging spontaneously from his rage and grief, this was the first śloka in Sanskrit literature. Later Valmiki composed the entire Ramayana with the blessings of Lord Brahma in the same meter that issued forth from him as the śloka. Thus this śloka is revered as the "first śloka" in Hindu literature. Valmiki is revered as the first poet, or Adi Kavi, and the Ramayana, the first kavya.
His first disciples to whom he taught the Ramayana were Kusa and Lava, the sons of Rama.