Ādi Śaṅkarāchārya

Adi Shankara  (789 CE), also known as was an Indian philosopher from Kaladi in present day Eranakulam district, Kerala who consolidated the doctrine of advaita vedānta.His teachings are based on the unity of the ātman and brahman— non-dual brahman, in which brahman is viewed as nirguna brahman, brahman without attributes. 

Shankara travelled across the Indian subcontinent to propagate his philosophy through discourses and debates with other thinkers. He is reputed to have founded four mathas ("monasteries"), which helped in the historical development, revival and spread of Advaita Vedanta of which he is known as the greatest revivalist.  Adi Shankara is believed to be the organizer of the Dashanami monastic order and the founder of the Shanmata tradition of worship.

His works in Sanskrit concern themselves with establishing the doctrine of advaita (nondualism). He also established the importance of monastic life as sanctioned in the Upanishads and Brahma Sutra, in a time when the Mimamsa school established strict ritualism and ridiculed monasticism. Shankara represented his works as elaborating on ideas found in the Upanishads, and he wrote copious commentaries on the Vedic canon (Brahma Sutra, principal upanishads and Bhagavad Gita) in support of his thesis. The main opponent in his work is the Mimamsa school of thought, though he also offers arguments against the views of some other schools like Samkhya and certain schools of Buddhism. 

Traditional accounts of Adi Shankara's life can be found in the Śankara Vijaya, which are poetic works that contain a mix of biographical and legendary material, written in the epic style. The most important among these biographies are the Mādhavīya Śaṅkara Vijayaṃ (of Mādhava, c. 14th century), the Cidvilāsīya Śaṅkara Vijayaṃ (of Cidvilāsa, c. between 15th century and 17th century), and the Keraļīya Śaṅkara Vijayaṃ (of the Kerala region, extant from c. 17th century).

Life

Adi Sankara was born to Vishwakarma and Nambudiriparents. Shankara's gotram (lineage) and sutram (recension - familial vedic trend) are known as being of Atreya lineage and of Aswalayana recension. These details are available in ancient hagiographies as well as contemporary write ups on the same.

Sankaracharya was a contemporary of the great Tamil saint Kulashekhara Alwar who was also a Chera king.

Birth and childhood

Shankara was born in a Viswa-Brahmin family to Sivaguru and Aryamba in Kaladi in present day central Kerala, the ancient Tamil kingdom of the Cheras. According to lore, it was after his parents, who had been childless for many years, prayed at the Vadakkunnathan temple, Thrissur, that Shivaappeared to both husband and wife in their dreams, and offered them a choice: a mediocre son who would live a long life, or an extraordinary son who would not live long. Both the parents chose the latter; thus a son was born to them. He was named Shankara (Sanskrit, "bestower of happiness"), in honour of Shiva (one of whose epithets is Shankara). His father died while Shankara was very young. Shankara's upanayanam., the initiation into student-life, had to be delayed due to the death of his father, and was then performed by his mother. As a child, Shankara showed remarkable scholarship, mastering the four Vedas by the age of eight.

Sannyasa

At the age of 8, Shankara was inclined towards sannyasa, but it was only after much persuasion that his mother finally gave her consent. He only received her consent in a very interesting manner. While bathing in the river Poorna one day, a crocodile caught hold of his leg. Shankara appealed to his mother, who had arrived at Poorna, asking for permission to become a sanyasi. His mother finally gave consent, only to have the crocodile let go of young Shankara. A crocodile had never been found in Poorna ever sinceShankara then left Kerala and travelled towards North India in search of aguru. On the banks of the Narmada River, he met Govinda Bhagavatpada the disciple of Gaudapada at Omkareshwar. When Govinda Bhagavatpada asked Shankara's identity, he replied with an extempore verse that brought out the Advaita Vedanta philosophy. Govinda Bhagavatapada was impressed and took Shankara as his disciple.

The guru instructed Shankara to write a commentary on the Brahma Sutras and propagate the Advaita philosophy. Shankara travelled to Kashi, where a young man named Sanandana, hailing from Chola territory in South India, became his first disciple. According to legend, while on his way to theVishwanath Temple, a untouchable accompanied by four dogs came in the way of Sankara. When asked to move aside by Shankara's disciples, the untouchable replied: "Do you wish that I move my ever lasting Ātman ("the Self"), or this body made of flesh?" Realizing that the untouchable was none other than god Shiva himself, and his dogs the four Vedas, Shankara prostrated himself before him, composing five shlokas known as Manisha Panchakam.

At Badari he wrote his famous Bhashyas ("commentaries") and Prakarana granthas ("philosophical treatises").

Meeting with Mandana Mishra

One of the most famous debates of Adi Shankara was with the ritualist Maṇḍana Miśra. Maṇḍana Miśra held the view that the life of a householder was far superior to that of a monk. This view was widely shared and respected throughout India at that time. Thus it would have been important for Adi Shankara to debate with him. Madana Mishra's guru was the famous Mimamsa philosopher, Kumārila Bhaṭṭa. Shankara sought a debate with Kumārila Bhaṭṭa and met him in Prayag where he had buried himself in a slow burning pyre to repent for sins committed against his guru: Kumārila Bhaṭṭa had learned Buddhist philosophy from his Buddhist guru under false pretenses, in order to be able to refute it. Learning anything without the knowledge of one's guru while still under his authority constitutes a sin according to the Vedas. Kumārila Bhaṭṭa thus asked Adi Shankara to proceed toMahiṣmati to meet Maṇḍana Miśra and debate with him instead.(Mahishmati is on the banks of the holy river - Narmada, in Madhya Pradesh. Mahishmati is now known as Mandala. . Mandala finds mention in Pauranic literature as the capital of Sahasrabahu Kartyaveer Arjun who had obstructed the riverby his thousand arms by his frolicking, at his capital Mahishmati),

After debating for over fifteen days, with Maṇḍana Miśra's wife Ubhaya Bhāratī acting as referee, Maṇḍana Miśra accepted defeat.^[22] Ubhaya Bhāratīthen challenged Adi Shankara to have a debate with her in order to 'complete' the victory. She asked him questions related to sexual congress between man and woman - a subject in which Shankaracharya had no knowledge, since he was a true celibate and sannyasi. Sri Shankracharya asked for a "recess" of 15 days. As per legend, he used the art of "para-kaya pravesa" (the spirit leaving one's own body and entering another's) and exited his own body, which he asked his disciples to look after, and psychically entered the dead body of a king. The story goes that from the King's two wives, he acquired all knowledge of "art of love". The queens, thrilled at the keen intellect and robust love-making of the "revived" King, deduced that he was not their husband, as of old. The story continues that they sent their factotums to "look for the lifeless body of a young sadhu and to cremate it immediately" so that their "king" (Shankracharya in the king's body) would continue to live with them. Just as the retainers piled Shankracharaya's lifeless corpse upon a pyre and were about to set fire to it, Shankara entered his own body and regained consciousness. Finally, he answered all questions put to him by Ubhaya Bhāratī; and she allowed Maṇḍana Miśra to accept sannyasa with the monastic name Sureśvarācārya, as per the agreed-upon rules of the debate.^[23]

Philosophical tour

Adi Shankara then travelled with his disciples to Maharashtra and Srisailam. In Srisailam, he composed Shivanandalahari, a devotional hymn in praise of Shiva. The Madhaviya Shankaravijayam says that when Shankara was about to be sacrificed by a Kapalika, the god Narasimha appeared to save Shankara in response to Padmapadacharya's prayer to him. As a result, Adi Shankara composed the Laksmi-Narasimha stotra.

He then travelled to Gokarṇa, the temple of Hari-Shankara and the Mūkambika temple at Kollur. At Kollur, he accepted as his disciple a boy believed to be dumb by his parents. He gave him the name, Hastāmalakācārya ("one with the amalaka fruit on his palm", i.e., one who has clearly realised the Self). Next, he visited sringeri to establish the Śārada Pīṭham and made Sureśvarācārya his disciple.

After this, Adi Shankara began a Dig-vijaya "tour of conquest" for the propagation of the Advaita philosophy by controverting all philosophies opposed to it. He travelled throughout India, from South India to Kashmir and Nepal, preaching to the local populace and debating philosophy with Hindu, Buddhist and other scholars and monks along the way.

With the Malayali King Sudhanva as companion, Shankara passed through Tamil Nadu, Andhra Pradesh and Vidarbha. He then started towardsKarnataka where he encountered a band of armed Kapalikas. King Sudhanva, with his Nairs, resisted and defeated the Kapalikas. They safely reachedGokarna where Shankara defeated in debate the Shaiva scholar, Neelakanta.

Proceeding to Saurashtra (the ancient Kambhoja) and having visited the shrines of Girnar, Somnath and Prabhasa and explaining the superiority of Vedanta in all these places, he arrived at Dwarka. Bhaṭṭa Bhāskara of Ujjayini, the proponent of Bhedābeda philosophy, was humbled. All the scholars of Ujjayini (also known as Avanti) accepted Adi Shankara's philosophy.

He then defeated the Jainas in philosophical debates at a place called Bahlika. Thereafter, the Acharya established his victory over several philosophers and ascetics in Kamboja (region of North Kashmir), Darada and many regions situated in the desert and crossing mighty peaks, entered Kashmir. Later, he had an encounter with a tantrik, Navagupta at Kamarupa.

Accession to Sarvajnapitha

Adi Shankara visited Sarvajñapīṭha (Sharada Peeth) in Kashmir (now in POK, Pakistan). The Madhaviya Shankaravijayam states this temple had four doors for scholars from the four cardinal directions. The southern door (representing South India) had never been opened, indicating that no scholar from South India had entered the Sarvajna Pitha. Adi Shankara opened the southern door by defeating in debate all the scholars there in all the various scholastic disciplines such as Mimamsa, Vedanta and other branches of Hindu philosophy; he ascended the throne of Transcendent wisdom of that temple.

Towards the end of his life, Adi Shankara travelled to the Himalayan area of Kedarnath-Badrinath and attained videha mukti ("freedom from embodiment"). There is a samadhi mandir dedicated to Adi Shankara behind the Kedarnath temple. However, there are variant traditions on the location of his last days. One tradition, expounded by Keraliya Shankaravijaya, places his place of mahasamadhi (leaving the body) as Vadakkunnathan temple in Thrissur, Kerala.The followers of the Kanchi kamakoti pitha claim that he ascended the Sarvajñapīṭha and attained videha mukti in Kanchipuram (Tamil Nadu).

Dates

Several different dates have been proposed for Shankara:

• 788–820 CE: This is the mainstream scholarly opinion, placing Shankara in mid to late 8th century CE. These dates are based on records at the Śṛṅgeri Śāradā Pīṭha, which is the only matha to have maintained a relatively unbroken record of its Acharyas; starting with the third Acharya, one can with reasonable confidence date the others from the 8th century to the present. The Sringeri records state that Shankara was born in the 14th year of the reign of "VikramAditya", but it is unclear as to which king this name refers. Though some researchers identify the name with Chandragupta II (4th. c. CE), modern scholarship accepts the VikramAditya as being from the Chalukya dynasty of Badami, most likely Vikramaditya II (733–746 CE), which would place him in the middle of the 8th c. Max Muller, Macdonnel, Pathok, Deussen and Radhakrishnan all accept the dates 788-820 CE.^[32] The date 788–820 is also among those considered acceptable by Swami Tapasyananda, though he raises a number of questions.
• 509–477 BCE: This dating, more than a millennium ahead of all others, is based on records of the heads of the Shankara Maṭhas at Dvaraka Pitha andGovardhana matha and the fifth Peetham at Kanchi. However, such an early date is not consistent with the fact that Shankara quotes the Buddhist logician Dharmakirti, who finds mention in Xuanzang (7th c.). Also, his near-contemporary Kumārila Bhaṭṭa is usually dated ca. 8th c. CE. Most scholars feel that due to invasions and other discontinuities, the records of the Dwaraka and Govardhana mathas are not as reliable as those of Sringeri. Thus, while considerable debate exists, the pre-Christian Era dates are usually discounted, and the most likely period for Shankara is during the 8th c. CE.
• 44–12 BCE: Anandagiri believed he was born at Chidambaram in 44 BCE and died in 12 BCE.
• 6th Century CE: Telang placed him in this century. Sir R G Bandarkar believed he was born in 680 CE.
• 805–897 CE: A D Venkiteswara not only places Adishankara later than most, but also had the opinion that it would not have been possible for him to have achieved all the works apportioned to him, and has him live ninety two years.

Mathas

Adi Shankara founded four Maṭhas (Sanskrit: मठ) to guide the Hindu religion. These are at Sringeri in Karnataka in the south, Dwaraka in Gujarat in the west, Puri in Orissa in the east, and Jyotirmath (Joshimath) in Uttarakhand in the north. Hindu tradition states that he put in charge of these mathas his four main disciples: Sureśvara, Hastamalakacharya, Padmapāda, and Totakacharya respectively. The heads of the mathas trace their authority back to these figures. Each of the heads of these four mathas takes the title of Shankaracharya ("the learned Shankara") after the first Shankaracharya. The table below gives an overview of the four Amnaya Mathas founded by Adi Shankara and their details.

After establishing these 4 mathas, Adi Shankara himself occupied Sarvajna Peetha -the Throne of Omniscience at Kanchi.

According to the tradition in Kerala, after Sankara's samadhi at Vadakkunnathan Temple his disciples founded four mathas in Thrissur, namely Naduvil Madhom, Thekke Madhom, Idayil Madhom and Vadakke Madhom.

Philosophy and religious thought

Advaita ("non-dualism") is often called a monistic system of thought. The word "Advaita" essentially refers to the identity of the Self (Atman) and the Whole (Brahman). Advaita Vedanta says the one unchanging entity (Brahman) alone exists, and that changing entities do not have absolute existence, much as the ocean's waves have no existence in separation from the ocean. The key source texts for all schools of Vedānta are the Prasthanatrayi–the canonical texts consisting of the Upanishads, the Bhagavad Gita and the Brahma Sutras.

Adi Shankara was the first in the tradition to consolidate the siddhānta ("doctrine") of Advaita Vedanta. He wrote commentaries on the Prasthana Trayi. A famous quote from Vivekacūḍāmaṇi, one of his prakarana granthas that succinctly summarises his philosophy is:

Brahma satyaṃ jagat mithyā, jīvo brahmaiva nāparah

Brahman is the only truth, the spatio-temporal world is an illusion, and there is ultimately no difference between Brahman and Atman(individual self).

Advaita Vedanta is based on śāstra ("scriptures"), yukti ("reason") and anubhava ("experience"), and aided by karmas ("spiritual practices"). This philosophy provides a clear-cut way of life to be followed. Starting from childhood, when learning has to start, the philosophy has to be realised in practice throughout one's life, even up to death. This is the reason why this philosophy is called an experiential philosophy-the underlying tenet being "That thou art", meaning that ultimately there is no difference between the experiencer and the experienced (the world) as well as the universal spirit (Brahman). Among the followers of Advaita, as well those of other doctrines, there are believed to have appeared Jivanmuktas, ones liberated while alive. These individuals (commonly called Mahatmas, great souls, among Hindus) are those who realised the oneness of their self and the universal spirit called Brahman.

Adi Shankara's Bhashyas (commentaries) on the Upanishads, the Bhagavad Gita and the Brahma Sutras are his principal works. Although he mostly adhered to traditional means of commenting on the Brahma Sutra, there are a number of original ideas and arguments to establish that the essence of Upanishads is Advaita. He taught that it was only through direct knowledge that one could realize Brahman. "A perception of the fact that the object seen is a rope will remove the fear and sorrow which result from the illusory idea that it is a serpent". Cited from Shankara's "Vivekachuudaamani"/ verse #12/translated by Mohini M Chatterji. This metaphor was borrowed from Yogacara Buddhist thinkers, who used it in a different context.

Adi Shankara's opponents accused him of teaching Buddhism in the garb of Hinduism, because his non-dualistic ideals seemed rather radical to contemporary Hindu philosophy, and so he earned the title "pracchannabauddha". He further praised the Buddha as the "emperor of yogis in the Kali Age. However, although Advaita proposes the theory of Maya, explaining the universe as a "trick of a magician", Adi Shankara and his followers see this as a consequence of their basic premise that Brahman alone is real. Their idea of Maya emerges from their belief in the reality of Brahman, as opposed to Buddhist doctrines of emptiness, which emerge from the empirical Buddhist approach of observing the nature of reality.

Historical and cultural impact

At the time of Adi Shankara's life, Hinduism was increasing in influence in India at the expense of Buddhism and Jainism. Hinduism was divided into innumerable sects, each quarreling with the others. The followers of Mimamsa and Sankhya philosophy were atheists, insomuch that they did not believe in God as a unified being. Besides these atheists there were numerous theistic sects. There were also those who rejected the Vedas, like theCharvakas.

Adi Shankara held discourses and debates with the leading scholars of all these sects and schools of philosophy to controvert their doctrines. He unified the theistic sects into a common framework of Shanmata system. In his works, Adi Shankara stressed the importance of the Vedas, and his efforts helped Hinduism regain strength and popularity. Many trace the present worldwide prominence of Vedanta to his works. He travelled on foot to various parts of India to restore the study of the Vedas.

Even though he lived for only thirty-two years his impact on India and on Hinduism was striking. He reintroduced a purer form of Vedic thought. His teachings and tradition form the basis ofSmartism and have influenced Sant Mat lineages.He is the main figure in the tradition of Advaita Vedanta. He was the founder of the Daśanāmi Sampradāya of Hindu monasticism andṢaṇmata of Smarta tradition. He introduced the Pañcāyatana form of worship.

Adi Shankara, along with Madhva and Ramanuja, was instrumental in the revival of Hinduism. These three teachers formed the doctrines that are followed by their respective sects even today. They have been the most important figures in the recent history of Hindu philosophy. In their writings and debates, they provided polemics against the non-Vedantic schools of Sankhya,Vaisheshika etc. Thus they paved the way for Vedanta to be the dominant and most widely followed tradition among the schools of Hindu philosophy. The Vedanta school stresses most on theUpanishads (which are themselves called Vedanta, End or culmination of the Vedas), unlike the other schools that gave importance to the ritualistic Brahmanas, or to texts authored by their founders. The Vedanta schools hold that the Vedas (which include the Upanishads) are unauthored, forming a continuous tradition of wisdom transmitted orally. Thus the concept ofapaurusheyatva ("being unauthored") came to be the guiding force behind the Vedanta schools. However, along with stressing the importance of Vedic tradition, Adi Shankara gave equal importance to the personal experience of the student. Logic, grammar, Mimamsa and allied subjects form main areas of study in all the Vedanta schools.

Regarding meditation, Shankara refuted the system of Yoga and its disciplines as a direct means to attain moksha, rebutting the argument that it can be obtained through concentration of the mind. His position is that the mental states discovered through the practices of Yoga can be indirect aids to the gain of knowledge, but cannot themselves give rise to it. According to his philosophy, knowledge of Brahman springs from inquiry into the words of the Upanishads, and the knowledge of Brahman that shruti provides cannot be obtained in any other way. It has to be noted that it is generally considered that for Shankara the Absolute Reality is attributeless and impersonal, while for Madhava and Ramanuja, the Absolute Truth is Vishnu. This has been a subject of debate, interpretation, and controversy since Shankara himself is attributed to composing the popular 8th century Hindu devotional composition Bhaja Govindam (literal meaning, "Worship Govinda"). This work of Adi Shankara is considered as a good summary of Advaita Vedanta and underscores the view that devotion to God, Govinda, is not only an important part of general spirituality, but the concluding verse drives through the message of Shankara: "Worship Govinda, worship Govinda, worship Govinda, Oh fool! Other than chanting the Lord's names, there is no other way to cross the life's ocean". Bhaja Govindam invokes the almighty in the aspect of Vishnu; it is therefore very popular not only with Sri Adi Shankaracharya's immediate followers, the Smarthas, but also with Vaishnavas and others.

A well known verse, recited in the Smarta tradition, in praise of Adi Shankara is:

श्रुतिस्मृतिपुराणानामालयं करुणालयम्|
नमामि भगवत्पादशंकरं लोकशङ्करम् ||
Śruti smṛti purāṇānāṃālayaṃ karuṇālayaṃ|
Namāmi Bhagavatpādaśaṅkaraṃ lokaśaṅkaraṃ||
I salute the compassionate abode of the Vedas, Smritis and Puranas known as Shankara Bhagavatpada, who makes the world auspicious.

Adi Shankara begins his Gurustotram or Verses to the Guru with the following Sanskrit Sloka, that has become a widely sung Bhajan:

Guru Brahma, Guru Vishnu, Guru Deva Maheshwara. Guru Sakshath Parambrahma, Tasmai Shri Gurave Namaha.
Translation: Guru is the creator Brahma, Guru is the preserver Vishnu, Guru is the destroyer Shiva. Guru is directly the supreme spirit — I offer my salutations to this Guru.

The great Indian Muslim Philosopher Muhammad Iqbal considered him to be one of the greatest thinkers of medieval India and acknowledged influence by him.

Works

Adi Shankara's works deal with logically establishing the doctrine of Advaita Vedanta as he saw it in the Upanishads. He formulates the doctrine of Advaita Vedanta by validating his arguments on the basis of quotations from the Vedas and other Hindu scriptures. He gives a high priority to svānubhava ("personal experience") of the student. His works are largely polemical in nature. He directs his polemics mostly against the Sankhya, Buddha, Jaina, Vaisheshika and other non-vedantic Hindu philosophies.

Traditionally, his works are classified under Bhāṣya ("commentary"), Prakaraṇa grantha ("philosophical treatise") and Stotra ("devotional hymn"). The commentaries serve to provide a consistent interpretation of the scriptural texts from the perspective of Advaita Vedanta. The philosophical treatises provide various methodologies to the student to understand the doctrine. The devotional hymns are rich in poetry and piety, serving to highlight the relationship between the devotee and the deity.

Adi Shankara wrote Bhashyas on the ten major Upanishads, the Brahma Sutras and the Bhagavad Gita. In his works, he quotes from Shveshvatara, Kaushitakai, Mahanarayana and Jabala Upanishads, among others. Bhashyas on Kaushitaki, Nrisimhatapani and Shveshvatara Upanishads are extant but the authenticity is doubtful. Adi Shankara's is the earliest extant commentary on the Brahma Sutras. However, he mentions older commentaries like those of Dravida, Bhartrprapancha and others.

In his Brahma Sutra Bhashya, Adi Shankara cites the examples of Dharmavyadha, Vidura and others, who were born with the knowledge of Brahman acquired in previous births. He mentions that the effects cannot be prevented from working on account of their present birth. He states that the knowledge that arises out of the study of the Vedas could be had through the Puranas and theItihasas. In the Taittiriya Upanishad Bhashya 2.2, he says:

Sarveśāṃ cādhikāro vidyāyāṃ ca śreyaḥ kevalayā vidyāyā veti siddhaṃ

It has been established that everyone has the right to the knowledge (of Brahman) and that the supreme goal is attained by that knowledge alone.

Adi Shankara in order to bring unity among various Hindu sects of those times wrote five pancharathnam stotras for each of the following prime deities. The deities were Shiva, Vishnu, Shakti,Ganesh and Surya. The idea was that if you believed in Lord Shiva, you would chant Shiva pancharathnam stotra by placing Shiva's idol in the center other four Hindu deities surrounding Him, two on each side. Similarly if you believed in Vishnu, you would place Vishnu in the center. Those five stotras are Ganesha pancharathnam Lalitha pancharathnam

Some western academics consider only Upadeśasāhasrī among independent philosophical works as authentic. Many other such texts exist, among which there is a difference of opinion among scholars on the authorship of Viveka Chudamani. The former pontiff of Sringeri Math, Shri Shri Chandrashekhara Bharati III has written a voluminous commentary on the Viveka Chudamani.

Adi Shankara also wrote commentaries on other scriptural works, such as the Vishnu sahasranāma and the Sānatsujātiya.Like the Bhagavad Gita, both of these are contained in theMahabhārata.

Rashtrakuta Empire

he Rashtrakuta Empire  was a royal dynasty ruling large parts of the Indian Subcontinent between the sixth and the 10th centuries. The earliest known Rashtrakuta inscription is a 7th century copper plate grant that mentions their rule from Manpur in theMalwa region of modern Madhya Pradesh. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings ofAchalapur (modern Elichpur in Maharashtra) and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native home and their language.

The clan that ruled from Elichpur was a feudatory of the Badami Chalukyas and during the rule of Dantidurga, it overthrew ChalukyaKirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753. At the same time the Pala dynasty of Bengal and the Prathihara dynastyof Malwa were gaining force in eastern and northwestern India respectively. An Arabic writing Silsilatuttavarikh (851) called the Rashtrakutas one of the four principal empires of the world. 

This period, between the eight and the 10th centuries, saw a tripartite struggle for the resources of the rich Gangetic plains, each of these three empires annexing the seat of power at Kannauj for short periods of time. At their peak the Rashtrakutas of Manyakheta ruled a vast empire stretching from the Ganges River and Yamuna River doab in the north to Cape Comorin in the south, a fruitful time of political expansion, architectural achievements and famous literary contributions. The early kings of this dynasty were Hindu but the later kings were strongly influenced by Jainism.

During their rule, Jain mathematicians and scholars contributed important works in Kannada and Sanskrit. Amoghavarsha I was the most famous king of this dynasty and wrote Kavirajamarga, a landmark literary work in the Kannada language. Architecture reached a milestone in the Dravidian style, the finest example of which is seen in the Kailasanath Temple at Ellora. Other important contributions are the sculptures of Elephanta Caves in modern Maharashtra as well as the Kashivishvanatha temple and the Jain Narayana temple at Pattadakal in modernKarnataka, all of which are UNESCO World Heritage Sites.

HistoryThe origin of the Rashtrakuta dynasty has been a controversial topic of Indian history. These issues pertain to the origins of the earliest ancestors of the Rashtrakutas during the time of Emperor Ashoka in the 2nd century BCE, and the connection between the several Rashtrakuta dynasties that ruled small kingdoms in northern and central India and the Deccan between the 6th and 7th centuries. The relationship of these medieval Rashtrakutas to the most famous later dynasty, the Rashtrakutas of Manyakheta (present day Malkhed in the Gulbarga district, Karnataka state), who ruled between the 8th and 10th centuries has also been debated.                                                                                                                                   The sources for Rashtrakuta history include medieval inscriptions, ancient literature in the Pali language,contemporaneous literature in Sanskrit and Kannada and the notes of the Arab travellers.Theories about the dynastic lineage (Surya Vamsa—Solar line and Chandra Vamsa—Lunar line), the native region and the ancestral home have been proposed, based on information gleaned from inscriptions, royal emblems, the ancient clan names such as "Rashtrika", epithets (Ratta, Rashtrakuta, Lattalura Puravaradhiswara), the names of princes and princesses of the dynasty, and clues from relics such as coins. Scholars debate over which ethnic/linguistic groups can claim the early Rashtrakutas. Possibilities include the north western ethnic groups of India,  the Kannadiga,  Reddi,the Maratha, or the tribes from the Punjab region.

Scholars however concur that the rulers of the imperial dynasty in the 8th to 10th century made the Kannada language as important as Sanskrit. Rashtrakuta inscriptions use both Kannada and Sanskrit (historians Sheldon Pollock and Jan Houben claim they are mostly in Kannada), and the rulers encouraged literature in both languages. The earliest existing Kannada literary writings are credited to their court poets and royalty.Though these Rashtrakutas were Kannadigas, they were conversant in a northern Deccan language as well.

The heart of the Rashtrakuta empire included nearly all of Karnataka, Maharashtra and parts of Andhra Pradesh, an area which the Rastrakutas ruled for over two centuries. The Samangadh copper plate grant (753) confirms that the feudatory King Dantidurga, who probably ruled from Achalapura inBerar (modern Elichpur in Maharashtra), defeated the great Karnatic army (referring to the army of the Badami Chalukyas) of Kirtivarman II of Badamiin 753 and took control of the northern regions of the Chalukya empire. He then helped his father-in-law, Pallava King Nandivarman regain Kanchi from the Chalukyas and defeated the Gurjaras of Malwa, and the rulers of Kalinga, Kosala and Srisailam.

Dantidurga's successor Krishna I brought major portions of present day Karnataka and Konkan under his control.^[34] During the rule of Dhruva Dharavarsha who took control in 780, the kingdom expanded into an empire that encompassed all of the territory between the Kaveri River and Central India. He led successful expeditions to Kannauj, the seat of northern Indian power where he defeated the Gurjara Pratiharas and the Palasof Bengal, gaining him fame and vast booty but not more territory. He also brought the Eastern Chalukyas and Gangas of Talakad under his control. According to a historian, the Rashtrakutas became a pan-India power during his rule. 

The ascent of Dhruva Dharavarsha's third son, Govinda III, to the throne heralded an era of success like never before. There is uncertainty about the location of the early capital of the Rashtrakutas at this time.  During his rule there was a three way conflict between the Rashtrakutas, the Palas and the Pratiharas for control over the Gangetic plains. Describing his victories over the Pratihara Emperor Nagabhatta II and the PalaEmperor Dharmapala,  the Sanjan inscription states the horses of Govinda III drank from the icy waters of the Himalayan streams and his war elephants tasted the sacred waters of the Ganges. His military exploits have been compared to those of Alexander the Great and PandavaArjuna of Mahabharata.  Having conquered Kannauj, he travelled south, took firm hold over Gujarat, Kosala (Kaushal), Gangavadi, humbled thePallavas of Kanchi, installed a ruler of his choice in Vengi and received two statues as an act of submission from the king of Ceylon (one statue of the king and another of his minister). The Cholas, the Pandyas and the Cheras all paid him tribute.  As one historian puts it, the drums of the Deccan were heard from the Himalayan caves to the shores of the Malabar.  The Rashtrakutas empire now spread over the areas from Cape Comorin to Kannauj and from Banaras to Broach. 

The successor of Govinda III, Amoghavarsha I made Manyakheta his capital and ruled a large empire. Manyakheta remained the Rashtrakutas' regal capital until the end of the empire. He came to the throne in 814 but it was not until 821 that he had suppressed revolts from feudatories and ministers. Amoghavarsha I made peace with the Gangas by giving them his two daughters in marriage, and then defeated the invading Eastern Chalukyas at Vingavalli and assumed the title Viranarayana. His rule was not as militant as that of Govinda III as he preferred to maintain friendly relations with his neighbours, the Gangas, the Eastern Chalukyas and the Pallavas with whom he also cultivated marital ties. His era was an enriching one for the arts, literature and religion. Widely seen as the most famous of the Rashtrakuta Emperors, Amoghavarsha I was an accomplished scholar in Kannada and Sanskrit. His Kavirajamarga is considered an important landmark in Kannada poetics and Prashnottara Ratnamalika in Sanskrit is a writing of high merit and was later translated into the Tibetan language. Because of his religious temperament, his interest in the arts and literature and his peace-loving nature, he has been compared to the emperor Ashoka and called "Ashoka of the South".

During the rule of Krishna II, the empire faced a revolt from the Eastern Chalukyas and its size decreased to the area including most of the WesternDeccan and Gujarat.Krishna II ended the independent status of the Gujarat branch and brought it under direct control from Manyakheta. Indra IIIrecovered the dynasty's fortunes in central India by defeating the Paramara and then invaded the doab region of the Ganges and Jamuna rivers. He also defeated the dynasty's traditional enemies, the Pratiharas and the Palas, while maintaining his influence over Vengi. The effect of his victories in Kannauj lasted several years according to the 930 copper plate inscription of Emperor Govinda IV.After a succession of weak kings during whose reigns the empire lost control of territories in the north and east, Krishna III the last great ruler consolidated the empire so that it stretched from the Narmada River to Kaveri River and included the northern Tamil country (Tondaimandalam) while levying tribute on the king ofCeylon.

During the rule of Khottiga Amoghavarsha, the Paramara King Siyaka Harsha attacked the empire and plundered Manyakheta, the capital of the Rastrakutas. This seriously undermined the reputation of the Rastrakuta Empire and consequently led to its downfall. The final decline was sudden asTailapa II, a feudatory of the Rashtrakuta ruling from Tardavadi province in modern Bijapur district, declared himself independent by taking advantage of this defeat. Indra IV, the last emperor, committed Sallekhana (fasting unto death practised by Jain monks) at Shravanabelagola. With the fall of the Rashtrakutas, their feudatories and related clans in the Deccan and northern India declared independence. The Western Chalukyas annexed Manyakheta and made it their capital until 1015 and built an impressive empire in the Rashtrakuta heartland during the 11th century. The focus of dominance shifted to the Krishna River – Godavari River doab called Vengi. The former feudatories of the Rashtrakutas in western Deccan were brought under control of the Chalukyas, and the hitherto-suppressed Cholas of Tanjore became their arch enemies in the south.

In conclusion, the rise of Rashtrakutas of Manyakheta had a great impact on India, even on India's north. Sulaiman (851), Al Masudi (944) and Ibn Khurdadba (912) wrote that their empire was the largest in contemporary India and Sulaiman further called it one among the four great contemporary empires of the world. Some historians have called these times an "Age of Imperial Kannauj". Since the Rashtrakutas successfully captured Kannauj, levied tribute on its rulers and presented themselves as masters of North India, the era could also be called the "Age of Imperial Karnataka".During their political expansion into central and northern India in the 8th to the 10th centuries, the Rashtrakutas or their relatives created several kingdoms that either ruled during the reign of the parent empire or continued to rule for centuries after the its fall or came to power much later. Well-known among these were the Rashtrakutas of Gujarat (757–888), the Rattas of Saundatti (875–1230) in modern Karnataka, the Gahadavalas of Kannauj (1068–1223), the Rashtrakutas of Rajasthan (known as Rajputana) and ruling from Hastikundi or Hathundi (893–996),Dahal (near Jabalpur),^] Mandore (near Jodhpur), the Rathores of Dhanop, Rashtraudha dynasty of Mayuragiri in modern Maharashtra and Rashtrakutas of Kannauj. Rajadhiraja Chola's conquest of the island of Ceylon in the early 11th century CE led to the fall of four kings there. According to historian K. Pillay, one of them, King Madavarajah of the Jaffna kingdom, was an usurper from the Rashtrakuta Dynasty.

Administration

Inscriptions and other literary records show the Rashtrakutas selected the crown prince based on heredity. The crown did not always pass on to the eldest son. Abilities were considered more important than age and chronology of birth, as exemplified by the crowning of Govinda III who was the third son of king Dhruva Dharavarsha. The most important position under the king was the Chief Minister (Mahasandhivigrahi) whose position came with five insignia commensurate with his position namely, a flag, a conch, a fan, a white umbrella, a large drum and five musical instruments called Panchamahashabdas. Under him was the commander (Dandanayaka), the foreign minister (Mahakshapataladhikrita) and a prime minister (Mahamatya or Purnamathya), all of whom were usually associated with one of the feudatory kings and must have held a position in government equivalent to a premier. A Mahasamanthawas a feudatory or higher ranking regal officer. All cabinet ministers were well versed in political science (Rajneeti) and possessed military training. There were cases where woman supervised significant areas as when Revakanimaddi, daughter of Amoghavarsha I, administered Edathore Vishaya.

The kingdom was divided into Mandala or Rashtras (provinces). A Rashtra was ruled by a Rashtrapathi who on occasion was the emperor himself. Amoghavarsha I's empire had sixteen Rashtras. Under a Rashtra was a Vishaya (district) overseen by a Vishayapathi. Trusted ministers sometimes ruled more than a Rashtra. For example, Bankesha, a commander of Amoghavarsha I headed Banavasi-12000, Belvola-300, Puligere-300, Kunduru-500 and Kundarge-70, the suffix designating the number of villages in that territory. Below the Vishaya was the Nadu looked after by the Nadugowda or Nadugavunda; sometimes there were two such officials, one assuming the position through heredity and another appointed centrally. The lowest division was a Grama or village administered by a Gramapathi or Prabhu Gavunda.

The Rashtrakuta army consisted of large contingents of infantry, horsemen, and elephants. A standing army was always ready for war in a cantonment (Sthirabhuta Kataka) in the regal capital of Manyakheta. Large armies were also maintained by the feudatory kings who were expected to contribute to the defense of the empire in case of war. Chieftains and all the officials also served as commanders whose postings were transferable if the need arose.

The Rashtrakutas issued coins (minted in an Akkashale) such as Suvarna, Drammas in silver and gold weighing 65 grains, Kalanju weighing 48 grains,Gadyanaka weighing 96 grains, Kasu weighing 15 grains, Manjati with 2.5 grains and Akkam of 1.25 grain.

Economy                                                                                                The Deccan was rich in minerals, though its soil was not as fertile as that of the Gangetic plains. The copper mines of Cudappah, Bellary, Chanda, Buldhana, Narsingpur, Ahmadnagar, Bijapur and Dharwar were an important source of income and played an important role in the economy. Diamonds were mined in Cudappah, Bellary, Kurnool and Golconda; the capital Manyakheta and Devagiri were important diamond and jewellery trading centres. The leather industry and tanning flourished in Gujarat and some regions of northern Maharashtra. Mysore with its vast elephant herds was important for the ivory industry. 

The Rashtrakuta economy was sustained by its natural and agricultural produce, its manufacturing revenues and moneys gained from its conquests. Cotton was the chief crop of the regions of southern Gujarat, Khandesh and Berar. Minnagar, Gujarat, Ujjain, Paithan and Tagara were important centres of textile industry. Muslin cloth were manufactured in Paithan and Warangal. The cotton yarn and cloth was exported from Bharoch. Whitecalicos were manufactured in Burhanpur and Berar and exported to Persia, Turkey, Poland, Arabia and Egypt.^[87] The Konkan region, ruled by the feudatory Silharas, produced large quantities of betel leaves, coconut and rice while the lush forests of Mysore, ruled by the feudatory Gangas, produced such woods as sandal, timber, teak and ebony. Incense and perfumes were exported from the ports of Thana and Saimur. 

The Rashtrakuta empire controlled most of the western sea board of the subcontinent which facilitated its maritime trade.  The Gujarat branch of the empire earned a significant income from the port of Bharoch, one of the most prominent ports in the world at that time.  The empire's chief exports were cotton yarn, cotton cloth, muslins, hides, mats, indigo, incense, perfumes, betel nuts, coconuts, sandal, teak, timber, sesame oil and ivory. Its major imports were pearls, gold, dates from Arabia, slaves, Italian wines, tin, lead, topaz, storax, sweet clover, flint glass, antimony, gold and silver coins, singing boys and girls (for the entertainment of the royalty) from other lands. Trading in horses was an important and profitable business, monopolised by the Arabs and some local merchants.  The Rashtrakuta government levied a shipping tax of one golden Gadyanaka on all foreign vessels embarking to any other ports and a fee of one silver Ctharna ( a coin) on vessels travelling locally. 

Artists and craftsman operated as corporations (guilds) rather than as individual business. Inscriptions mention guilds of weavers, oilmen, artisans, basket and mat makers and fruit sellers. A Saundatti inscription refers to an assemblage of all the people of a district headed by the guilds of the region.  Some guilds were considered superior to others, just as some corporations were, and received royal charters determining their powers and privileges. Inscriptions suggest these guilds had their own militia to protect goods in transit and, like village assemblies, they operated banks that lent money to traders and businesses. 

The government's income came from five principal sources: regular taxes, occasional taxes, fines, income taxes, miscellaneous taxes and tributes from feudatories.  An emergency tax was imposed occasionally and were applicable when the kingdom was under duress, such as when it faced natural calamities, or was preparing for war or overcoming war's ravages. Income tax included taxes on crown land, wasteland, specific types of trees considered valuable to the economy, mines, salt, treasures unearthed by prospectors. Additionally, customary presents were give to the king or royal officers on such festive occasions as marriage or the birth of a son.

The king determined the tax levels based on need and circumstances in the kingdom while ensuring that an undue burden was not placed on the peasants. The land owner or tenant paid a variety of taxes, including land taxes, produce taxes and payment of the overhead for maintenance of the Gavunda (village head). Land taxes were varied, based on type of land, its produce and situation and ranged from 8% to 16%. A Banavasi inscription of 941 mentions reassessment of land tax due to the drying up of an old irrigation canal in the region. The land tax may have been as high as 20% to pay for expenses of a military frequently at war. In most of the kingdom, land taxes were paid in goods and services and rarely was cash accepted. A portion of all taxes earned by the government (usually 15%) was returned to the villages for maintenance.

Culture

Taxes were levied on artisans such as potters, sheep herders, weavers, oilmen, shopkeepers, stall owners, brewers and gardeners. Taxes on perishable items such as fish, meat, honey, medicine, fruits and essentials like fuel was as high as 16%. Taxes on salt and minerals were mandatory although the empire did not claim sole ownership of mines, implying that private mineral prospecting and the quarrying business may have been active. The state claimed all such properties whose deceased legal owner had no immediate family to make an inheritance claim. Other miscellaneous taxes included ferry and house taxes. Only Brahmins and their temple institutions were taxed at a lower rate.

Religion

The Rashtrakuta kings supported the popular religions of the day in the traditional spirit of religious tolerance. Scholars have offered various arguments regarding which specific religion the Rashtrakutas favoured, basing their evidence on inscriptions, coins and contemporary literature. Some claim the Rashtrakutas were inclined towards Jainism since many of the scholars who flourished in their courts and wrote in Sanskrit, Kannada and a few in Apabhramsha and Prakrit were Jains. The Rashtrakutas built well-known Jain temples at locations such as Lokapura in Bagalkot district and their loyal feudatory, the Western Ganga Dynasty, built Jain monuments at Shravanabelagola and Kambadahalli. Scholars have suggested that Jainism was a principal religion at the very heart of the empire, modern Karnataka, accounting for more than 30% of the population and dominating the culture of the region. King Amoghavarsha I was a disciple of the Jain acharya Jinasena and wrote in his religious writing, Prashnottara Ratnamalika, "having bowed to Varaddhamana (Mahavira), I write Prashnottara Ratnamalika". The mathematician Mahaviracharya wrote in his Ganita Sarasangraha, "The subjects under Amoghavarsha are happy and the land yields plenty of grain. May the kingdom of King Nripatunga Amoghavarsha, follower of Jainism ever increase far and wide." Amoghavarsha may have taken up Jainism in his old age.

However, the Rashtrakuta kings also patronized Hinduisms, followers of the Shaiva, Vaishnava and Shakta faiths. Almost all of their inscriptions begin with an invocation to god Vishnu or godShiva. The Sanjan inscriptions tell of King Amoghavarsha I sacrificing a finger from his left hand at the Lakshmi temple at Kolhapur to avert a calamity in his kingdom. King Dantidurga performed the Hiranyagarbha (horse sacrifice) and the Sanjan and Cambay plates of King Govinda IV mention Brahmins performing such rituals as Rajasuya, Vajapeya and Agnishtoma. An early copper plate grant of King Dantidurga (753) shows an image of god Shiva and the coins of his successor, King Krishna I (768), bear the legend Parama Maheshwara (another name for Shiva). The kings' titles such as Veeranarayana showed their Vaishnava leanings. Their flag had the sign of the Ganges and Yamuna rivers, perhaps copied from the Badami Chalukyas. The famous Kailasnatha temple at Ellora and other rock-cut caves attributed to them show that the Hinduism was flourishing. Their family deity was a goddess by name Latana (also known asRashtrashyena, Manasa Vindyavasini) who took the form of a falcon to save the kingdom. They built temples with icons and ornamentation that satisfied the needs of different faiths. The temple at Salotgi was meant for followers of Shiva and Vishnu and the temple at Kargudri was meant for worshipers of Shiva, Vishnu and Bhaskara (Surya, the sun god).

In short, the Rashtrakuta rule was tolerant to multiple popular religions, Jainism, Vaishnavaism and Shaivism. Buddhism too found support and was popular in places such as Dambal andBalligavi, although it had declined significantly by this time. The decline of Buddhism in South India began in the 8th century with the spread of Adi Shankara's Advaita philosophy. Islamiccontact with South India began as early as the 7th century, a result of trade between the Southern kingdoms and Arab lands. Jumma Masjids existed in the Rashtrakuta empire by the 10th century and many Muslims lived and mosques flourished on the coasts, specifically in towns such as Kayalpattanam and Nagore. Muslim settlers married local women; their children were known as Mappilas (Moplahs) and were actively involved in horse trading and manning shipping fleets.

Society

Chronicles mention more castes than the four commonly known castes in the Hindu social system, some as many as seven castes. One traveller's account mentions sixteen castes including the four basic castes of Brahmins, Kshatriya, Vaishya and Sudras. The Zakaya or Lahud caste consisted of communities specialising in dance and acrobatics. People in the professions of sailing, hunting, weaving, cobblery, basket making and fishing belonged to specific castes or subcastes. The Antyajas caste provided many menial services to the wealthy. Brahmins enjoyed the highest status in Rashtrakuta society; only those Kshatriyas in the Sat-Kshatriya sub-caste (noble Kshatriyas) were higher in status.

The Jains enjoyed a very high status during this period.

The careers of Brahmins usually related to education, the judiciary, astrology, mathematics, poetry and philosophyor the occupation of hereditary administrative posts. Also Brahmins increasingly practiced non-Brahminical professions (agriculture, trade in betel nuts and martial posts).Capital punishment, although widespread, was not given to the royal Kshatriya sub-castes or to Brahmins found guilty of heinous crimes (as the killing of a Brahmin in medieval Hindu India was itself considered a heinous crime). As an alternate punishment to enforce the law a Brahmin's right hand and left foot was severed, leaving that person disabled.

By the 9th century, kings from all the four castes had occupied the highest seat in the monarchical system in Hindu India. Admitting Kshatriyas to Vedic schools along with Brahmins was customary, but the children of the Vaishya and Shudra castes were not allowed. Landownership by people of all castes is recorded in inscriptionsIntercaste marriages in the higher castes were only between highly placed Kshatriya girls and Brahmin boys, but was relatively frequent among other castes.Intercaste functions were rare and dining together between people of various castes was avoided.

Joint families were the norm but legal separations between brothers and even father and son have been recorded in inscriptions. Women and daughters had rights over property and land as there are inscriptions recording the sale of land by women. The arranged marriage system followed a strict policy of early marriage for women. Among Brahmins, boys married at or below 16 years of age and the brides chosen for them were 12 or younger. This age policy was not strictly followed by other castes. Sati (a custom in which a dead man's widow would immolateherself on her husband's funeral pyre) was practiced but the few examples noted in inscriptions were mostly in the royal families. The system of shaving the heads of widows was infrequent as epigraphs note that widows were allowed to grow their hair but decorating it was discouraged. The remarriage of a widow was rare among the upper castes and more accepted among the lower castes.

In the general population men wore two simple pieces of cloth, a loose garment on top and a garment worn like a dhoti for the lower part of the body. Only kings could wear turbans, a practice that spread to the masses much later. Dancing was a popular entertainment and inscriptions speak of royal women being charmed by dancers, both male and female, in the king's palace.Devadasis (girls were "married" to a deity or temple) were often present in temples.Other recreational activities included attending animal fights of the same or different species. An Atkurhero stone (virgal) has been found made for the favourite hound of the feudatory Western Ganga King Butuga II that died fighting a wild boar in a hunt.There are records of game preserves for hunting by royalty. Astronomy and astrology were well developed as subjects of study, and there were many superstitious beliefs such as catching a snake alive proved a woman's chastity. Old persons suffering from incurable diseases preferred to end their lives by drowning in the sacred waters of a pilgrim site or by a ritual burning.

Literature

Kavirajamarga (850) by King Amoghavarsha I is the earliest available book on rhetoric and poetics in Kannada,though it is evident from this book that other styles of Kannada literature and poetry had already existed in previous centuries. Kavirajamarga is a guide to poets (Kavishiksha) that aims to standardize these various styles. The book refers to early Kannada prose and poetry writers such as Durvinita, perhaps the 6th century monarch of Western Ganga Dynasty.

Kannada became more prominent as a literary language during the Rashtrakuta rule with its script and literature showing remarkable growth, dignity and productivity. This period effectively marked the end of the classical Prakrit and Sanskrit era. Court poets and royalty created eminent works in Kannada and Sanskrit that spanned such literary forms as prose, poetry, rhetoric, Hindu epics and life history of Jain tirthankaras. Bilingual writers such as Asaga gained fame, and famous scholars such as the mathematician Mahaviracharya wrote on the secular topics.

The Jain writer Adikavi Pampa, widely regarded as one of the greatest Kannada writers, became famous for Adipurana (941). Written in champu (mixed prose-verse style) style, it is the life history of the first Jain tirthankara Rishabhadeva. Pampa's other notable work was Vikramarjuna Vijaya (941), the author's version of the Hindu epic, Mahabharata, with Arjuna as the hero. Also called Pampa Bharata, it praises the writer's patron, King Chalukya Arikeseri of Vemulavada (a Rashtrakuta feudatory), comparing the king's virtues favorably to those of Arjuna. Pampa demonstrates such a command of classical Kannada that scholars over the centuries have written many interpretations of his work.

Another great Jain writer in Kannada was Sri Ponna, patronised by King Krishna III and famed for Santipurana, his account of the life of Shantinatha, the 16th Jain tirthankara. He earned the titleUbhaya Kavichakravathi (supreme poet in two languages) for his command over both Kannada and Sanskrit. His other writings in Kannada were Bhuvanaika-karamabhyudaya, Jinaksaramaleand Gatapratiagata.Adikavi Pampa, Sri Ponna are called "gems of Kannada literature".

Prose works in Sanskrit was prolific during this era as well.Important mathematical theories and axioms were postulated by Mahaviracharya, a native of Gulbarga, who belonged to the Karnataka mathematical tradition and was patronised by King Amoghavarsha I. His greatest contribution was Ganitasarasangraha, a writing in 9 chapters. Somadevasuri of 950 wrote in the court of Arikesari II, a feudatory of Rashtrakuta Krishna III in Vemulavada. He was the author of Yasastilaka champu, Nitivakyamrita and other writings. The main aim of the champu writing was to propagate Jain tenets and ethics. The second writing reviews the subject matter of Arthasastra from the standpoint of Jain morals in a clear and pithy manner.

Trivikrama was a noted scholar in the court of King Indra III. His classics were Nalachampu (915), the earliest in champu style in Sanskrit, Damayanti Katha, Madalasachampu and Begumra plates. Legend has it that Goddess Saraswati helped him in his effort to compete with a rival in the kings court. Jinasena was the spiritual preceptor and guru of Amoghavarsha I. A theologian, his contributions are Dhavala and Jayadhavala (written with another theologian Virasena). These writings are named after their patron king who was also called Athishayadhavala. Other contributions from Jinasena were Adipurana later completed by his disciple Gunabhadra, Harivamsha and Parshvabhyudaya.

Architecture

The Rashtrakutas contributed much to the architectural heritage of the Deccan. The Rashtrakuta contributions to art and architecture are reflected in the splendid rock-cut cave temples at Ellora and Elephanta, areas also occupied by Jain monks, located in present day Maharashtra. The Ellora site was originally part of a complex of 34 Buddhist caves probably created in the first half of the 6th century whose structural details show Pandyaninfluence. Cave temples occupied by Hindus are from later periods.

The Rashtrakutas renovated these Buddhist caves and re-dedicated the rock-cut shrines. Amoghavarsha I espoused Jainism and there are five Jain cave temples at Ellora ascribed to his period. The most extensive and sumptuous of the Rashtrakuta works at Ellora is their creation of the monolithic Kailasanath Temple, a splendid achievement confirming the "Balhara" status as "one among the four principal Kings of the world". The walls of the temple have marvellous sculptures from Hindu mythology including Ravana, Shiva and Parvathi while the ceilings have paintings.

The Kailasanath Temple project was commissioned by King Krishna I after the Rashtrakuta rule had spread into South India from the Deccan. The architectural style used was Dravidian. It does not contain any of the Shikharas common to the Nagara style and was built on the same lines as the Virupaksha temple at Pattadakal in Karnataka. The achievement at the Kailasanath temple is considered an architectural consummation of the monolithic rock-cut temple and deserves be considered one of the wonders of the world. As an accomplishment of art, the Kailasanath temple is considered an unrivalled work of rock architecture, a monument that has always excited and astonished travellers.

While some scholars have claimed the architecture at Elephanta is attributable to the Kalachuri, others claim that it was built during the Rashtrakuta period. Some of the sculptures such as Nataraja and Sadashiva excel in beauty and craftmanship even that of the Ellora sculptures. Famous sculptures at Elephanta include Ardhanarishvara and Maheshamurthy. The latter, a three faced bust of Lord Shiva, is 25 feet (8 m) tall and considered one of the finest pieces of sculpture in India. It is said that, in the world of sculpture, few works of art depicting a divinity are as balanced.Other famous rock-cut temples in the Maharashtra region are the Dhumer Lena and Dashvatara cave temples in Ellora (famous for its sculptures of Vishnu and Shivaleela) and the Jogeshvari temple near Mumbai.

Language

In Karnataka their most famous temples are the Kashivishvanatha temple and the Jain Narayana temple atPattadakal, a UNESCO World Heritage site. Other well-known temples are the Parameshwara temple at Konnur, Brahmadeva temple at Savadi, the Settavva, Kontigudi II, Jadaragudi and Ambigeragudi temples atAihole, Mallikarjuna temple at Ron, Andhakeshwara temple at Huli (Hooli), Someshwara temple at Sogal, Jain temples at Lokapura, Navalinga temple at Kuknur, Kumaraswamy temple at Sandur, at Shirival in Gulbarga and the Trikuteshwara temple at Gadag which was later expanded by Kalyani Chalukyas. Archeological study of these temples show some have the stellar (multigonal) plan later to be used profusely by the Hoysalas of Belur andHalebidu. One of the richest traditions in Indian architecture took shape in the Deccan during this time and one writer calls it Karnata dravida style as opposed to traditional Dravida style.

With the ending of the Gupta Dynasty in northern India in the early 6th century, major changes began taking place in the Deccan south of the Vindyas and in the southern regions of India. These changes were not only political but also linguistic and cultural. The royal courts of peninsular India (outside of Tamilakam) interfaced between the increasing use of the local Kannada language and the expanding Sanskritic culture. Inscriptions, including those that were bilingual, demonstrate the use of Kannada as the primary administrative language in conjunction with Sanskrit.Government archives used Kannada for recording pragmatic information relating to grants of land. The local language formed the desi (popular) literature while literature in Sanskrit was more marga (formal). Educational institutions and places of higher learning (ghatikas) taught in Sanskrit, the language of the learned Brahmins, while Kannada increasingly became the speech of personal expression of devotional closeness of a worshipper to a private deity. The patronage Kannada received from rich and literate Jains eventually led to its use in the devotional movements of later centuries.

Contemporaneous literature and inscriptions show that Kannada was not only popular in the modern Karnataka region but had spread further north into present day southern Maharashtra and to the northern Deccan by the 8th century.Kavirajamarga, the work on poetics, refers to the entire region between the Kaveri River and the Godavari River as "Kannadacountry". Higher education in Sanskrit included the subjects of Veda, Vyakarana (grammar), Jyotisha (astronomy and astrology), Sahitya (literature), Mimansa (Exegesis), Dharmashastra (law), Puranas (ritual), and Nyaya (logic). An examination of inscriptions from this period shows that the Kavya (classical) style of writing was popular. The awareness of the merits and defects in inscriptions by the archivists indicates that even they, though mediocre poets, had studied standard classical literature in Sanskrit. An inscription in Kannada by King Krishna III, written in a poetic Kanda metre, has been found as far away as Jabalpur in modern Madhya Pradesh. Kavirajamarga, a work on poetics in Kannada byAmoghavarsha I, shows that the study of poetry was popular in the Deccan during this time. Trivikrama's Sanskrit writing,Nalachampu, is perhaps the earliest in the champu style from the Deccan.